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A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–97
New Stage Coaches, drawing 24 from Album G
Goya (Francisco de Goya y Lucientes)
1824–28
Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)
Goya (Francisco de Goya y Lucientes)
1799
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)
Goya (Francisco de Goya y Lucientes)
1810
Les Majas au Balcon
Léopold Flameng
1876
Preparatory drawing for Plate 64, Cartloads, from the Disasters of War
Goya (Francisco de Goya y Lucientes)
1810–15
A bad night (Mala noche), plate 36 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810–20, published 1863
Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
Goya (Francisco de Goya y Lucientes)
1816
Plate 13 from "Los Caprichos": They are hot (Estan calientes)
Goya (Francisco de Goya y Lucientes)
1799
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
1799
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Philip IV on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
The horse abductor, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Goya (Francisco de Goya y Lucientes)
1816
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
Goya (Francisco de Goya y Lucientes)
1816
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
1810
A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Loyalty, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
1799
The Caprices (Los Caprichos), plates 1-80
Goya (Francisco de Goya y Lucientes)
1799
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor)
Goya (Francisco de Goya y Lucientes)
1810 (first published 1863)
Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)
Goya (Francisco de Goya y Lucientes)
1810
If he is guilty, let him die quickly (Si es deliquente qe, muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (printed around 1859)
Funereal Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Nothing is Known of This; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the "Witches and Old Women" Album (D)
Goya (Francisco de Goya y Lucientes)
ca. 1819–23
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
Goya (Francisco de Goya y Lucientes)
ca. 1815; published ca. 1859
Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)